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Optics [Psychological ] --- Perceptie [Visuele ] --- Perception [Visual ] --- Perception visuelle --- Vision--Psychological aspects --- Visual perception --- Visuele perceptie --- Visuele waarneming --- Waarneming [Visuele ] --- Cézanne, Paul --- Impressionism (Art) --- France --- Art [Modern ] --- Painting [Modern ] --- 19th century --- Painters --- Psychology --- Cézanne, Paul.
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Art --- sculpture [visual works] --- drawing [image-making] --- perception --- motion --- stripes --- Bächli, Silvia --- hedendaagse kunst --- hedendaagse kunst. --- Bächli, Silvia.
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Rodchenko, Aleksandr Mikhailovich --- Christoph Brockhaus, Varvara Stepanova, Selim O. Khan-Magomedov, Alexander Lavrentiev --- kunst --- Rusland --- Sovjet-Unie --- Rodchenko Alexander --- constructivisme --- fotografie --- installaties --- tekenkunst --- beeldhouwkunst --- fotomontage --- abstractie --- 7.071 RODCHENKO --- Exhibitions --- Rodtschenko, Alexander Michajlowitsch --- Constructivism (Art) --- Space perception --- Spatial perception --- Rodchenko, Aleksandr Mikhaĭlovich, --- Rodčenko, Alexandr, --- Rodtschenko, Alexander Michailowitsch, --- Rodchenko, Alexandre Mihailovitch, --- Rodčenko, Aleksandr, --- Rodchenko, Alexander, --- Rodtchenko, Alexsandre, --- Rodtchenko, Alexandre, --- Rodchenko, A. M. --- Rodtšenko, Aleksandr, --- Rodtjenko, Aleksandr, --- Родченко, Александр Михайлович, --- Perception --- Spatial behavior --- Figure-ground perception --- Geographical perception --- Art, Modern --- Concrete art --- Painting, Abstract --- Rodchenko, Aleksandr Mikhailovich.
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La multiplicité des regards s'impose naturellement face à un objet de recherche aussi polymorphe et polysémique que le paysage. C'est à décloisonner les approches théoriques et à rapprocher les champs empiriques que le Groupe de recherche en sociologie de l'art et de la culture (Gresac) de l'université libre de Bruxelles et l'Association universitaire de recherche sur l'action publique (Aurap) de l'université catholique de Louvain se sont employés en organisant à Bruxelles, en 2004, un colloque intitulé " Le paysage : définition, protection et gestion " dont ce volume constitue les actes. Cette rencontre a réuni des spécialistes internationaux de différentes disciplines afin de confronter leurs définitions, leurs modes d'interprétation et leurs analyses des enjeux de la gestion du paysage. (extrait du 4eme de couv.)
Landscape assessment --- Landscape protection --- Paysages --- Congresses --- Evaluation --- Congrès --- Protection --- landschappen --- kunstfilosofie --- kunsttheorie --- Esthétique --- Paysage --- Perception --- Représentation --- Landscapes --- Philosophy --- Congrès --- Landscapes - Congresses --- Landscapes - Philosophy - Congresses --- landschappen. --- kunstfilosofie. --- kunsttheorie.
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Painting --- Iconography --- trompe l'oeil --- Optical illusions in art. --- Trompe l'oeil painting. --- Visual perception. --- 7.017 --- 75.017 --- 75.049 --- Trompe-l'oeil --- Architectuur en illusie ; trompe-l'oeils --- Muur- en plafondschilderkunst --- Stoepkrijktkunst --- Kunst ; optische effecten, perspectief, illusie --- Schilderkunst ; optische effecten, perspectief, illusie --- Schilderkunst ; verschillende onderwerpen --- Optical illusions in art --- Trompe l'oeil painting --- Visual perception --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Realism in art --- Still-life painting --- Psychological aspects --- Magic realism (Art) --- Catalogs --- 730 --- 0 --- realisme --- schilderkunst --- schilder- en tekenkunst --- peinture et dessin --- trompe l'oeil.
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geographers --- Art --- Vermeer, Johannes --- Städel Museum [Frankfurt am Main] --- wetenschappen --- geografie --- Perspective --- Architectural perspective --- Linear perspective --- Mechanical perspective --- Vermeer, Johannes, --- Optics --- Space (Art) --- Space perception --- Projection --- Proportion (Art) --- Shades and shadows --- wetenschappen. --- geografie. --- Vermeer, Johannes.
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Thematology --- Art --- anno 1800-1899 --- England --- France --- Landscapes in art --- Gardens in art. --- Arts, British --- Arts, French --- Perception. --- Paysages dans l'art --- Jardins dans l'art --- Arts britanniques --- Arts français --- Perception --- Themes, motives. --- Thèmes, motifs --- landschappen --- tuinen --- poëzie --- Monet, Claude --- Mallarmé, Stéphane --- Gauguin, Paul --- Bougainville, Louis-Antoine de --- Hodges, William --- 19de eeuw --- Groot-Brittannië --- Frankrijk --- Arts français --- Thèmes, motifs --- tuin --- landschappen. --- tuin. --- poëzie. --- Monet, Claude. --- Mallarmé, Stéphane. --- Gauguin, Paul. --- Bougainville, Louis-Antoine de. --- Hodges, William. --- 19de eeuw. --- Groot-Brittannië. --- Frankrijk.
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Some artworks do something to you. They leave you feeling bereft, give you new insights, offer a new way of seeing things, make you happy, hopeful or despairing. This was true in the past, and it remains true today. It is this universal experience that art brings about that is the subject of the exhibition 'Encounters/Ontmoetingen'. KMSKA-curator Paul Vandenbroeck has selected a hundred works from all over the world, from early antiquity to the present day, by well-known and lesser-known artists, from paintings and sculptures to video, installations and textiles. 'Encounters/Ontmoetingen' is not a conventional exhibition. You need no prior knowledge before you walk in. On the contrary, the most important thing is to enter the MAS without preconceptions, and let the art speak for itself. The works are not exhibited according to traditional categories, but grouped into intuitive clusters: sometimes on the basis of aesthetic conventions, sometimes on the basis of a tension between works of diverse origins. The exhibition starts from the notion that art, separately from any idea, thought or belief, has the capacity to touch you, even if you have no idea who the artist is and where the work comes from. To keep the experience pure, there is no text or explanation accompanying the exhibits. All you get as a spectator is the names of the works and the artists. Exhibition: MAS Museum aan de Stroom, Antwerp, Belgium (19.05.-20.08.2017).
art [fine art] --- Affective and dynamic functions --- emotion --- Art --- Exhibitions --- human figures [visual works] --- art theory --- bodies [human and animal components] --- form [composition concepts] --- perception --- Philosophy --- Psychological aspects --- MAD-faculty 17 --- kunst en lichaam --- kunst en cultuur --- bodies [animal components] --- Histoire de l'art --- Esthétique --- Analyse de l'art --- Philosophie de l'art --- art [discipline] --- kunstfilosofie --- kunststromingen --- symbolen --- kunstbeleving
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Dit boek biedt een heldere methode aan om de uiterlijke verschijningsvormen van kunstwerken systematisch te onderzoeken. In tien hoofdstukken leidt de auteur ons langs beeldaspecten als : materiaal en techniek, afmetingen en kader, ruimte, licht, kleur, beweging, standpunt en plaatsing, waarnemening en abstractie.
7.04 --- 7.01:003 --- Visual perception --- 7.01 --- abstractie --- bewegen --- compositieleer --- kleurenleer --- kunst --- kunstbeschouwing --- kunsttheorie --- kunstzinnige vorming --- licht --- materialen --- ruimtelijkheid --- vormleer --- 700.6 --- De Visser, Ad --- kunstfilosofie --- kunstgeschiedenis --- semiotiek --- Optics, Psychological --- Vision --- 7.01:003 Semiotiek van kunst en esthetiek --- Semiotiek van kunst en esthetiek --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- kunst algemeen, filosofie van de kunst en vormgeving --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Psychological aspects --- Kunsten --- Filosofie --- Kunstbeschouwing --- Art appreciation --- Abstractie --- Beweging --- Brons --- Compositie --- Computerkunst --- Contouren --- Driedimensionaal --- Factuur --- Fotografie --- Glas --- Grafiek --- Kader --- Kleurenspectrum --- Kleur --- Kunst --- Land art --- Licht --- Lichtkunst --- Materiaal --- Mozaïek --- Ordonnantie --- Perspectief --- Plasticiteit --- Plastiek --- Portret --- Realisme --- Ruimte --- Ruimtelijkheid --- Schaduw --- Schilderen --- Schriftuur --- Sculptuur --- Techniek --- Tekenen --- Textiel --- Textuur --- Tweedimensionaal --- Video --- Waarneming --- Perception --- Visual discrimination --- Appreciation of art --- Art --- Art criticism --- Analysis, interpretation, appreciation --- #KVHA:Kunst --- #KVHA:Kunstbeschouwing --- Kunsttheorie ; kunstbeschouwing --- Kunst ; theorie, filosofie, esthetica --- #gsdbA --- History --- art history --- art theory --- color [perceived attribute] --- space [composition concept] --- light [energy] --- motion --- Iconography --- techniques [processes] --- perception --- materials [matter] --- art criticism --- Aesthetics of art --- Aesthetics --- kunsteducatie --- Art appreciation. --- Visual perception. --- Lerarenopleiding --- (vak)didactiek menswetenschappen. --- Kunstesthetica --- kunstkritiek --- materials [substances] --- 696 --- Kunstgeschiedenis --- Oudheid --- China --- Romeinse Rijk --- Hellenisme --- Griekenland --- Hellas --- Film --- Literatuur --- Muziek --- Schilderkunst --- Tekenkunst --- Vlaanderen --- Vlaams --- Emigratie --- Vrouw --- Reception of art --- Reception --- CDL --- kunstbeschouwing.
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Drawing --- Words in art --- Mots dans l'art --- Dessin --- Exhibitions. --- Exhibitions --- Expositions --- Musée du Louvre. --- Musée du Louvre (Parijs) --- tekeningen --- prentenkabinet --- Musée du Louvre. --- Drawing, European --- Writing in art --- Painters --- Inscriptions --- Picture interpretation --- CDL --- 741.03 --- Interpretation of pictures --- Picture perception --- Epigraphs (Inscriptions) --- Epigraphy --- Inscription --- Paleography --- Epigraphists --- Artists --- Drawings --- Sketching --- Art --- Graphic arts --- Illustration of books --- Manual training --- Expertising --- Autographs --- Musée du Louvre (Parijs). --- tekeningen. --- prentenkabinet.
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